- J. Farchakh, "Restoring
Baghdad's museum to its former glory. An arduous task that relies on
conscience and international help," in The Daily Star
(Lebanon), October 8, 2004: "In fact, if it weren't for minor, hardly
visible repair work, a visitor could not tell that over a year has gone
by since the Iraq National Museum in Baghdad was looted. ... 'I walked
on broken pottery in the storage rooms. The sound of it crushing under
my feet still haunts me at night. These were objects that I had put
aside to protect from the bombs. They were not spared,' says Jinane, an
archaeologist working on the inventory. Today, there is a two-fold
challenge in bringing back the museum to its former glory. Recovering
the stolen artifacts is as important as motivating and re-educating the
staff. ... This has proven to be an ambitious mission. Iraqi
archaeologists and curators haven't been in touch with the rest of the
world for the last 20 years. They are not aware of any advances made in
the field and the number of those who know how to use a computer is
very limited." "The French government sent 15 curators and museum
employees on a five-month journey to different universities and museums
in France. German institutes and universities are offering scholarships
for some Iraqi archaeologists, and the Japanese government has taken
care of training architects working on the restoration of
archaeological monuments." "'The most recent inventory has shown that
15,000 objects were stolen from the storage rooms of the museum. ... We
are working on this issue in Iraq and abroad in collaboration with
foreign customs departments. So far, 2,000 objects have been
confiscated in Jordan and the United States. Here in Baghdad, we have
recovered 3,000 artifacts, ... says Georges." [personal names are
rendered in French style throughout this article hence Dr. Donny
"Georges"
instead of "George" and "Jinane" instead of "Jinan" (Lebanon is a
former French
colony]; "On the other hand, the recovery of some of these objects
shows how devoted some Iraqis are to their heritage. Take Suleiman
Aswad, an elder jeweler and owner of a small shop in Baghdad's Kazimieh
district. Shocked by the looting of the museum, he decided to help
recover some of the stolen objects. 'A young girl came to my shop
offering to sell me cylinder seals. I bought them without questioning
her. I paid this gang over $1300 to return to the museum 92 cylinder
seals.' Aswad had tears in his eyes as he was telling his story. He
went on at length explaining how difficult it was for him to hear about
what had happened. 'The looting of our own heritage by our compatriots
is like a son stealing from his father ... We can rebuild Iraq and
never forget our dead but we can never bring back our history once it's
taken from us.'" "An undercover agent, Riad Hussein, was assigned this
mission for a few months. His mission turned out to be very successful.
He returned four artifacts to the museum from a list of 32 most- wanted
objects. 'I have unearthed the Warka Lady in a farm in a suburb of
Baghdad and discovered the Bassitki statue from under animal
excrements. I have risked my life for the recovery of the statue of Ea
and the Braiser of Nin[e]veh - and in return, all I received was a
letter of gratitude. My superiors were decorated with silver medals.
Good for them, it wasn't good enough for me,' he sneered. Hussein was
hoping to receive a financial reward for each object he brought back."
[a normal expectation: under the old regime he might indeed have been
rewarded, just like archaeologists then sometimes received financial or
other rewards for finding exceptional artifacts; this is not totally
unheard of in the West either, e.g., in the UK people who stumble
across an important archaeological artifact in a field and turn it in
to the authorities receive a reward proportional to its value]; "In the
long run, Hussein's disappointment may be more harmful to Iraq's
archaeology than it appears. By now, he knows the looted artifacts and
what they are worth. He knows the market and the dealers."
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Photo: [no caption; close-up of one of the Neo-Assyrian lamassus in the
National Museum in Baghdad]
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